Peter Constantino Heon is a multidisciplinary designer based in Austin, Texas.
Previsously: Random Golf Club, Whiting-Turner.


August 2022 - Current

Experience


Freelance Designer
Experienced designer with a background in architecture, brand identity, and apparel. Skilled in creating visually appealing and functional designs across all domains. Proven ability to work on projects from concept to completion, collaborating with clients and teams to deliver exceptional results. Select clients include Holiday on 7th, Caroline Rose, Radry Golf, and Childress Hall.
January 2021 - August 2022
Random Golf Club, Product & Architectural Designer
Designed a 6,000-square-foot build while simultaneously designing apparel in a fast-paced, versatile role. Completed all physical deliverables for the building including 3d models, construction drawings, and renders. Finished multiple apparel collections involving work in art direction, graphics, and technical design.
March 2020 - January 2021
Random Golf Club, Project Manager
Experience in a wide range of projects spanning from production shoots to the development of a golf tee time app. Skilled in project planning and time management. Track record of delivering projects on time, and above stakeholder expectations.
June 2019 - March 2020
Whiting-Turner, Virtual Design & Construction Engineer
Conduct building coordination: digital modeling to solve logistical problems prior to construction. Pilot coordination meetings with subcontractors, project managers, and foremen to ensure cohesion among all parties during the construction process. Develop digital models and graphics to pursue high-profile jobs for Whiting-Turner.
December 2017 - January 2019
Bates Architects PC, Architectural Design Intern
Produced architectural drawings and design schematics using AutoCAD and Rhinoceros. Developed interior space plans, construction documents, and exterior renderings.
May 2017 - May 2019
Colvin Institute of Real Estate Development, Teaching Assistant
Building Sustainable Places: Aided students in coursework completion, developed lesson plans, graded student work, and conducted extensive research for lecture material.


January 2016 - May 2019

Education


University of Maryland School of Architecture
Bachelor of Science, Architecture
Graduated Magna Cum Laude
3d design of a bag tag for Random Golf Club. This golf accessory is a fully customizable tag that attaches to the golf bag. Virtual assets were developed in Blender and animated in Adobe Premier Pro. This video was used for the bag tag marketing campaign — edit was created in collaboration with Keffer Rhodes.
Bag tag physical product
3d design for the construction of a new restaurant in Austin, Texas. Holiday on 7th will be a cocktail bar and full-service restaurant located at 5020 E 7th St. For this project, I built a 3d model and completed multiple renders of the interior and exterior of the space. I worked with the general contractor and the client to help them visualize what they wanted to see in the space prior to construction.
Exterior render Under construction
Interior render Under construction
1/5 2/5 3/5 4/5 5/5
Adventures in Golf: Golf Course Only Accessible by Lobster Boat
Role: Story Producer

At Random Golf Club, our team produced Adventures in Golf, a documentary travel show by United Airlines and the PGA Tour that highlights the fun, human, and humorous side of golf. The show is built upon visits to the remote yet remarkable places in golf that our crew documents.

This episode was centered around The Great Chebeague Golf Club: a 9-hole course located on a small island off the coast of Portland, Maine. Chebeague has just one grocery store and one schoolhouse, yet the locals there have found a way to prioritize this unique golf experience within their community. And unlike many stories in and around golf: the women of Chebeague are at the center of it.
As a story producer for this shoot, my job was to run logistics and build out an additional storyline for the show, one that would complement the golf footage and remain authentic to life on the island — all while keeping it realistic for our team to capture.

I got in touch with a local named Alex Todd, a tenth-generation lobster fisherman who agreed to teach our crew all about lobster fishing. Alex and his son have strong ties to the island, and the memorable week we shared is captured in the episode. Plus, Alex’s lobster boat even served as our transportation to and from the island for the duration of the trip.
The Journey to Harding Park, Presented by Chase Sapphire
Role: Story Producer

Throughout Random Golf Club’s relationship with Chase Sapphire, our team produced lightly branded content with Chase as the title sponsor.

The concept behind this shoot involved our talent making the trip up Highway 1 from Los Angeles to San Francisco for the 102nd PGA Championship at Harding Park — one of the most scenic and beloved municipal golf courses in the world. Along the way, we made stops for food, gas, and lodging to get to know the local culture on our route, and to highlight the Chase Sapphire Preferred Card in action.
In addition to managing logistics before and throughout the trip, I worked in direct communication with the team at Chase to implement their brand collateral into our content, and to deliver all of our creative assets on a tight turnaround. These assets included still images and video edits of our talent using the Chase Sapphire Preferred card at curated locations that felt right for both the Chase brand and to our audience of over 250K subscribers.
1/3 2/3 3/3
Overhead Coordination for a 158,000-square-foot assisted living community in Rockville, Maryland. As the VDC Engineer, I was responsible for detecting routing issues on all six floors from ceiling to deck involving the mechanical, electrical, plumbing, and fire protection trades.
Mechanical, electrical, fire protection: floor 3 Mechanical, electrical, fire protection: single unit
Using 3d design review software Navisworks, I would solve for all routing issues by running clash detection. Clash detection is a user-controlled action of Navisworks, highlighting the intersection between the selected geometries of all trades.

After running clash detection, it was my responsibility to vet the clashes and to determine what is and is not an issue. Next, I would create a plan to reroute any system out of place. Once this is completed, a formal clash report PDF is generated. During a weekly coordination meeting, this clash report is shared with the foremen for each trade. Together we use the findings from the clash report to provide a permanent solution to each issue.

I’m sure that when I die, I’m still going to say ‘I haven’t understood’. It’s the cliché: the more you understand, the more ignorant you know you are. I’m just really an enthusiast and I have an obsessive belief in what I’m doing because it’s important for me.
        But I’ve never had any feeling that this is going to mean anything for anyone else. It’s just the way of working out my salvation. People just do the best they can. And I don’t know any other way to do it. (from an interview in White Heat Magazine, 2010)

These shifting and confused gusts of memory never lasted for more than a few seconds; it often happened that, in my brief spell of uncertainty as to where I was, I did not distinguish the various suppositions of which it was composed any more than, when we watch a horse running, we isolate the successive positions of its body as they appear upon a bioscope.
        But I had seen first one and then another of the rooms in which I had slept during my life, and in the end I would revisit them all in the long course of my waking dream… (from In Search of Lost Time, by Marcel Proust, 1913)
I listened to a lot of live music and bought a heap of records. One of the most important was by a musician I’d never heard of — a trumpeter called Jon Hassell. It was called Vernal Equinox. This record fascinated me. It was a dreamy, strange, meditative music that was inflected by Indian, African and South American music, but also seemed located in the lineage of tonal minimalism.
        It was a music I felt I’d been waiting for. (Brian Eno on Jon Hassell, from The Guardian, 2007)